9/18/2023 0 Comments Final cut pro editing items![]() ![]() This way you can use Library-level Smart Collections to search across all the media in that library. An ad agency might group a particular client’s work in one Library and use a separate event for each commercial. A church might have a Library for sermons, and each event is a different week’s message. If you were shooting a web series, you might put all the footage from each episode in a new Event. If you were shooting over multiple days, you might want to create a new event for each day of shooting.īut Events also serve as a great way to organize recurring projects. Now, a good rule of thumb is that an Event works well on most computers with up to about 1,000 pieces of media. The term actually comes from way back when Apple introduced Events in iPhoto. The key question to ask in FCP X is “How are these clips related to each other?” Your Events describe the primary relationship that a group of clips has, and that is often based on when they were imported. So the first organizational task I do is ingesting clips into an Event. I do a lot of documentary editing, so I shoot plenty of interviews with accompanying b-roll. EventsĮvents are FCP X’s top-level organization method, and they’re pretty much just folders for clips (or folders of folders of clips). ![]() At the end of the day, it’s just a collection of Events. It replaces what used to be the project file in Final Cut Pro 7 and before. But I guarantee that you will find that the effort placed into tagging your footage before you get cutting will pay you dividends for years to come.įCP X is a modern piece of software that is designed on a database. That’s why you don’t ever have to save-everything you do is written to the database right away and the Library is the master database of all your media. And you will find that, with a little upfront organization effort, you can accelerate your editing speed exponentially. The problem is that we are shooting more and more footage today, a nd in the traditional bin method, there really isn’t a good way to say “Show me all my favorite, interior, slo-motion, unused, b-roll, clips.”īut with Final Cut Pro X, you can. ![]() Your top level of bins might be organized by shoot day, and then maybe scene, and then camera. The traditional method of organizing footage into a bin forces you to organize hierarchically. Maybe you got two different brands of cameras going, maybe the footage was shot over several days, and so on. You might say this is an interior shot, b-roll, it has your main character in it, it is slo-motion, the first half sucks, the middle is great, and the end needs some noise reduction. But each clip has more significance than just when it was shot, or where it was shot. It makes a lot of sense, but the problem with this method is that it only allows you to organize your footage with one category. Video editing programs have traditionally had you place your “clips” into “bins.” This is based on the old analog world of physical film strips and physical bins. Now, let’s look into how we can boost your speed and efficiency. In my opinion, more than anything else, metadata is what makes FCPX into the fastest, most efficient NLE on the planet.” If you know what you’re doing, you can have a fully synced, searchable, properly named Library within 15 minutes of having your footage downloaded. ![]() Professionals in every major sub-industry of video production are taking advantage FCPX’s metadata abilities. We spoke with Sam Mestman, CEO of Lumaforge, and this is what he had to say, “Metadata is the single biggest reason to use FCPX, and knowing what you’re doing with it is the #1 timesaver you can have in post-production. And in many ways, it is what makes Apple’s Final Cut Pro X truly unique. So how do you wrangle all of that into something that makes sense and actually helps you to work quicker? One word: Metadata. And then somehow we have to communicate to producers and assistants what we have done, are going to do, or just did to the footage. We watch take after take of the same scene. We listen to interviews at double speed making an effort to catch the repeated themes. Who doesn’t want to become more efficient in the edit bay? As editors, we comb through reams of b-roll, trying to find the gems. ![]()
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